Discover on L'OFFICIEL a new fashion editorial between geometries and futurism. The aesthetic that marked the magical 60s!

Geometries, futurism and that idea of ​​describing future fashion that marked the 60s returns to the spotlight with all its imaginative baggage. The logo with futuristic typography, which becomes a banner of belonging. The geometric lines borrowed from the letters of the alphabet. And then the metal obsession, which turns into transformable fabric. The duvet and the bouffant silhouettes. But also the black &amp; white clashes, the hyper-visual fantasies and the optical games. The motto seems to be only one: Sixties are back!Photography PAOLO MUSA Styling GIULIO MARTINELLI

Dress and necklace, COURRÈGES; patent slingback, JIMMY CHOO

Mini dress, VERSACE; "Eternal Gold" choker and earrings in yellow gold, PRADA FINE JEWELRY; boots, COPERNI

Cape jacket with PVC hood with printed profiles, PUCCI; one-piece swimsuit with cut out, OSÉREE; "Eternal Gold" earrings and necklace in yellow gold, PRADA FINE JEWELRY

Padded coat with radiance quilting in recycled lounge saison, MONCLER + RICK OWENS; boots, COPERNI

Recycled lounge saison padded jacket, recycled Gore-Tex vest, satin and chiffon dress and ankle boots, MONCLER + SACAI

Knitted dress lined with tulle and leather boots, ANDREADAMO; "Eternal Gold" earrings in yellow gold, PRADA FINE JEWELRY

"La Robe boule rouge" dress, JACQUEMUS; "Silk" necklace, GIOVANNI RASPINI

Studded coat, kilt, leggings and leather boots, JUNYA WATANABE

Cape in technical fabric, COPERNI

Checked wool coat, UNDERCOVER; boots, COPERNI

Polka dot mini dress, MARNI; glasses, DSQUARED2; "Silk" necklaces and bangles, GIOVANNI RASPINI

Team credits: MODEL Lila Pankóva @ FASHION MODEL MANAGEMENT; HAIR Cosimo Bellomo @ WM-MANAGEMENT using GHD, GHD ITALIA and SCHWARZKOPF PRO; MAKE UP Claudia Malavasi @ WM-MANAGEMENT using MAKEUPFOREVER; CASTING DIRECTOR Carlo Savoldi; PHOTO ASSISTANT Carlo Carbonetti; STYLING ASSISTANT Fernando Echeverría; SPECIAL THANKS to Spazio Arqua.

Fashion Editorial: The return to the sixties

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