In Lyon, Rosalía inaugurates her LUX World Tour dressed in three bespoke looks designed by Ann Demeulemeester.

With <a href="https://www.lofficiel.com/pop-culture/rosalia-ressuscite-la-fievre-mode-des-annees-2000-dans-berghain" target="_blank" rel="noopener">Rosal&iacute;a</a> , <a href="https://www.lofficiel.com/fashion-week/chez-ann-demeulemeester-la-memoire-rebelle-dune-jeunesse-insoumise" target="_blank" rel="noopener">Ann Demeulemeester</a> returns to this essential tradition where clothing embraces the breath of the music and the tension of the movement. For the opening of the LUX World Tour in Lyon, Stefano Gallici conceived three silhouettes as three acts, developed in close dialogue with the artist and her creative team. Here, the costume doesn't follow the performance: it permeates it, extends it and sometimes even precedes it.
The house has always cultivated this deep affinity with the stage. Dressing musicians means understanding the vibration of the body in motion, anticipating the intensity of a choreography and accompanying the moment when fabric becomes an extension of the voice. For Rosal&iacute;a, each piece is conceived as an evolving organism: the layers unravel, detach, and reveal themselves, offering the eye a succession of metamorphoses. Clothing becomes storytelling.

The first look opens as an homage to classical ballet, but a ballet imbued with a nervous modernity. A chiffon top is gently tied, revealing a pointelle bodysuit with a bare back, a second skin that sculpts movement. The pleated tutu, constructed in layers of tulle, unfolds an almost architectural volume, while the satin ballet slippers evoke a fragile grace, immediately contradicted by the freedom of movement. The dancer is already a warrior.
The second tableau introduces the rigour of the cut and the memory of historical clothing. A Napoleonic-inspired jacket elongates the silhouette into a structured train, embellished with lace and ruffles that disrupt its military appearance. The detachable sleeves extend this idea of ​​continuous transformation. Paired with trousers of controlled proportions and ruggedly elegant black leather boots, the silhouette asserts a new authority. Fragility becomes discipline, poetry becomes structure.

Then comes the final, almost surreal appearance. A chiffon dress, layered to the extreme, unfolds into a spectacular train, supported by a light crinoline that defies gravity. Adjustable slits animate the garment with a dramatic flair, while feathered wings-harness and headdress-transform Rosal&iacute;a into a hybrid creature, both celestial and untamed. Under the stage lights, the fabrics vibrate, oscillating between opacity and transparency, between presence and disappearance.
In this sartorial trilogy, <a href="https://www.lofficiel.com/industry-trends/stefano-gallici-signe-la-premiere-campagne-d-ann-demeulemeester" target="_blank" rel="noopener">Ann Demeulemeester</a> explores her fundamental tensions: delicacy and strength, romanticism and rigour, the dancing body and the fighting body. Rosal&iacute;a, for her part, fully embodies these states, traversing them as so many faces of the same intensity.

Rosalía Opens the LUX World Tour in Ann Demeulemeester

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